
the pavilion is punctured to accommodate the trees’ branches, forming naturally shaped eaves

the shadow play extends to smaller elements like the sink mirror and the casings of hand dryers
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the opening exhibition is the largest-ever presentation of the institution’s collection, presenting four perspectives on art history since 1950.
winding stairways and rooftop terraces carve out a labyrinthine journey through the red sol resort.
planning 'house W' as a self-sufficient dwelling in hokkaido, florian busch suggests that 'a house is a plant for living with.'
the project establishes a connection between graça hill and the lower city while integrating with lisbon’s historical and topographical context.
connections: +550